Nicely sized, 140-lb cold-pressed paper with a light texture that comes 2 pads to a pack.
Acid-free. Good 140 lb/300 gsm weight and thickness for multiple washes without bleeding or warping. Cold-pressed for a slightly textured surface. Simple glue-bound pad for comfortable use and easy removal. Comes in 2 pads of 32 sheets per pack. Suitable for both flat washes and fine detail work.
Some complaints of pilling when used with brushes.
Top-bound paper that's best for light washes, children's art projects, and basic color studies.
Built for practice and messing around. Lightweight watercolor paper that's perfect for children who just want to make a mess on paper. Top-bound design works well, as long as buyers know what they're getting. Two 50-sheet notebooks and 200 sides to work on for a fraction of competitors' cost.
While advertised for professionals, this paper is best for beginners and children since it's lightweight.
This is Strathmore's go-to line for professional artists and hobbyists, thanks to its heavy build and ready-made paintability.
Acid-free watercolor paper that, while not archival like the Strathmore 500 series, makes up for it in affordability and performance. Great for artists who want to preserve their pieces without springing for the top of the line. Top-based wiring means artists can tear paper out without losing valuable surface area.
Buckles if too much water floods the surface.
Strathmore's visual art journal for the sketcher on the go or practicing artist.
Built for sketching, journaling, and light washes. The ideal for journalers, urban sketchers, illustrators, and hobbyists who need stronger, heavier, toothier paper than the average bargain brand. Easily removable label with customizable hardcover beneath.
Advertised dimensions include holes for wires. Could be a nuisance for framing and displays.
Industry-favorite mini pad with small paper that doesn't skimp on weight and performance.
For artists on the go. Heavy, fine-toothed paper. Works well with watercolor, water-soluble pencils, and ink paintings. Strong enough to take extra primer for acrylic and oil-based mediums. Fits in the pocket with protective cover, strap, and inner pocket, adding strength and portability to function.
Small surface area makes it best for sketches and studies, not archival works.
We recommend these products based on an intensive research process that's designed to cut through the noise and find the top products in this space. Guided by experts, we spend hours looking into the factors that matter, to bring you these selections.
Updated November 2022
Painting is a fun and relaxing form of creativity, accessible to everyone from young children and enthusiastic hobbyists to masterful professional artists. For a successful result, having the proper supplies is essential, and this means using the right kind of watercolor paper, which is arguably the most important part of watercolor painting.
There are a multitude of watercolor papers to choose from, and when you’re first starting out, it isn’t surprising that you might get lost in your options. However, it’s important to take the time to learn about various watercolor papers since they’re a non-negotiable tool.
There are differences in watercolor papers that range from the paper surface types to their thickness, material, and quality. Once you tackle these vital factors, you can explore useful tips on using watercolor papers in order to make your painting experience the very best it can be.
Watercolor paper is a specifically formulated artist’s paper that’s made with either 100% cotton or wood pulp. It may also be made using recycled wood shavings that are intertwined with small amounts of cotton. These materials are widely available and inexpensive, making them the most popular pick for making all sorts of papers. Watercolor paper is designed to be light and flexible while also being porous and thick enough to absorb watercolor paints.
Standard white printer paper or other sketch papers aren’t designed for use with wet materials like watercolors. The surface is too thin and absorbent, leading the paper to become soggy and even rip or tear. For successful watercolor painting, users require a surface that’s absorbent but thick enough that the watercolors won’t damage it.
Take into account the volume of watercolor paper that you realistically need. You may be working on a single project, or you might be an avid artist who regularly requires large amounts of watercolor paper. It’s commonly available in single sheets, pads, or rolls and blocks.
If you’re working on a small project, a single sheet or small pad of watercolor paper at a specific size might be all you need. Blocks and rolls of watercolor paper are more suitable for those who are more experienced and use it frequently, like teachers and artists. Rolls are especially versatile because they can be custom-cut to different sizes.
There are three types of surfaces for watercolor paper:
There are two main quality grades for watercolor paper: student and artist. These are stated on the packaging of the watercolor paper and make a difference in how long your artwork will last. Student-grade watercolor paper contains acid and is easier to paint on but isn’t built to endure. Artist-grade watercolor paper is acid-free and designed to last for a long time. Artist-grade is more expensive due to its better quality.
Sizing refers to the additives that allow watercolor paper to absorb moisture in the intended way. Some watercolor papers have sizing that’s applied to only one side, while others have sizing throughout the entire core of the paper. Sizing ensures that the watercolor paper retains the watercolor paints and is an important part of how the paper behaves.
The weight of watercolor paper is measured by “grams per square meter” or “gsm.” The most standard watercolor paper weights are 190 gsm, 300 gsm, and 638 gsm. Some watercolor papers also state their weight in pounds, for example, “140 lbs,” meaning that 500 sheets of the paper weighs 140 pounds.
300 gsm at 140 lbs is a great thickness and weight to start with. This watercolor paper is easy to work with and is relatively absorbent. The higher the weight, the thicker the paper, which also means it costs more.
If you don’t have a sponge, you can use paper towels to apply water to stretch your watercolor paper.
A solid set of watercolor paints is an important complement for use with your watercolor paper. Investing in a high-quality set of paints is a necessity, no matter your level of expertise.
It’s helpful to have a nice variety of watercolor paintbrushes on hand for the various types of detailing and coloring that watercolor painting calls for.
Watercolor pencils are an excellent tool to use while watercolor painting, as they can be easier to use than paint and brushes and are helpful for finer detail work and adding depth.
Pricing for watercolor paper varies depending on the number of sheets per pad or block and the length and width of the sheet roll. The weight and texture also play a part in pricing.
The most affordable watercolor paper is found for $5 to $20. These include individual sheets or small pads, often with lighter weights and varying textures.
Mid-range watercolor paper costs $20 to $45. These are larger blocks of 50 to 100 sheets with varying weights and surface textures. The weight of watercolor papers in this range tends to be the standard 140 lb, 300 gsm.
The most expensive watercolor paper is $50 to $90. These are the highest in quality and are typically cold-pressed or rough surface watercolor papers. They’re often made using 100% cotton and include large rolls.
A. While stretching your watercolor paper isn’t totally necessary for beginners, it does make a big difference for experienced painters and those planning to paint using a lot of water. Warping and buckling of the watercolor paper is nearly irreversible and can ruin the appearance of your artwork. Since stretching is such a straightforward process, it’s usually recommended to do, even though it’s optional. Thicker watercolor papers are less likely to require stretching.
A. It’s common practice that you paint on the side of the watercolor paper where any watermark might be legible. However, it doesn’t really make a difference which side you choose, as both are identical.
A. You can stretch your watercolor paper up to a few days before painting. As long as you allow the watercolor paper to fully dry before you apply the paints, you can begin painting as soon as it’s been stretched. Most artists like to do it the day before and allow the paper to dry overnight.
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